Figure out if the chords are major, minor, or what – sounding the 3rd against the recording helps.You can also rig up a foot pedal to start and stop the music so your hands are free. It lets you loop difficult parts and EQ to hear mainly the bass. Listen to the bass and see if I can figure out the root movement.The melody is basic so it shouldn’t be hard. Start with the most famous version (Gets/Byrd) version and memorize the melody.My method for learning a tune takes time but helps me remember it much better. You may find some benefit in seeing how I plan to learn it. I recommend an image that has #331 in the top right corner and make sure it’s in your key. Lots of other images show up and some may be right but I didn’t have time to check. I googled images and it was the 1st one on the page. The featured tune is “One Note Samba.” One jammer told me he was having a hard time finding a fakebook version. Our next jam is March 15th and we’ll be joined by Eric Koppa on sax and the Rand Moore Trio: Paul Muench – piano, John Schaffer – bass, and Rand – drums. I also set the chart's default key to match the ending chord (E).Another jam-packed jazz jam, a record 23 jammers, a large audience, and tons of fun. I added Fine so the form would play ABA as it is usually performed. Experiment with other styles like Latin - Bossa Acoustic or Electric which offers piano. I can’t make that cymbal crash go away in the Latin-samba style. I was unsuccessful in preventing the player from adding the “automatic ending chord” after the percussion bars.īy removing the final two measures of percussion and using the invisible END instruction, the final E sounds only once. The added two bars of percussion at the end of your chart confuses the player.
It's always best to post your chart directly from your app along with your question. The X9#13 isn't recognized by the iRp player, can you suggest an alternate voicing? Thanks for sharing the ACJ changes and reminding us about the "invisible" END command. I have used up all the scale i know, and at the end i've come to nothing, Playing the iRp chart top to bottom is musically the same as the GGB’s repeating the first part of A, then jumping to the coda.Īs i'm bound to be the unavoidable consequence of you The iRp chart is actually A1,B, A2 with the coda changes included in A2. JerYou are correct that the iRp and GGB forms are identical when played once. It only becomes ABA on the last chorus, with the final A going to the Coda instead of to the B. It shows the form as ABA, which is only correct if one is playing just one chorus. The form of the tune in Jazz 1300 is incorrect. One Note Samba GBB - Antonio-Carlos Jobim The only musical difference between the chords in the two charts is in the final two beats of the last bar in the B-section. The second half of the final bar in the B section contains the only variance. The first half of the next bar features a CØ7 (iRp), C-7b5 (GBB) again, same chord. The GBB version instead uses Db-7|Gb7| B▵7 Same chords, different names. In the B section, the iRp chart uses: C#-7|F#7|B▵7 (ii,V,I) to the B. The GBB uses a coda form instead (to save space on the page). The iRp chart writes out the 16 bars after the B section. I started with a duplicate of the iRp chart from the 1300 and planned to "correct" chords as neccessary. The ones from the original playlist seem wrong and I wanted to look for other versions (like the Blue Book.)I just transcribed One Note Samba from the Great Gig Book (BLUE BOOK)
I came here looking for One Note Samba changes.
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